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Jacopo Pontormo Cosimo de Medici the Elder oil painting


Cosimo de Medici the Elder
Painting ID::  44904
Jacopo Pontormo
Cosimo de Medici the Elder
mk176 c.1518 87x65cm

   
   
     

Jacopo Pontormo Madonna and Child with Saints oil painting


Madonna and Child with Saints
Painting ID::  50994
Jacopo Pontormo
Madonna and Child with Saints
1518 Oil on wood, 214 x 185 cm San Michele Visdomini, Florence Pontormo executed this celebrated painting for the chapel of Francesco di Giovanni Pucci in the church San Michele Visdomini in Florence.

   
   
     

Jacopo Pontormo Saint Matthew oil painting


Saint Matthew
Painting ID::  51770
Jacopo Pontormo
Saint Matthew
nn09 c.1527-28 Oil on wood

   
   
     

Jacopo Pontormo Sacra Conversazione oil painting


Sacra Conversazione
Painting ID::  52202
Jacopo Pontormo
Sacra Conversazione
1514 Fresco, 223 x 196 cm

   
   
     

Jacopo Pontormo Madonna and Child with the Young St John oil painting


Madonna and Child with the Young St John
Painting ID::  52283
Jacopo Pontormo
Madonna and Child with the Young St John
c. 1528 Oil on wood, 89 x 74 cm

   
   
     

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     Jacopo Pontormo
     Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.

     Related Artists::.
     | TROOST, Cornelis | Nathaniel Bacon | John Ritto Penniman |


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